19 pages 38 minutes read

So You Want to Be a Writer?

Fiction | Poem | Adult | Published in 2002

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Further Reading & Resources

Related Poems

Poetry by Marianne Moore (1924)

Like Charles Bukowski’s poem, Marianne Moore's poem “Poetry” expresses a negative attitude toward writing. The writing in question is specifically poetry. "I, too, dislike it,” declares Moore. She jabs at "half poets” and states there are more important things than poetry’s "fiddle.” The "fiddle” relates to Bukowski’s depiction of a faux writer pursuing trivial goals like fame and money. Although Moore and Bukowski are down on their respective writing situations, they are not without hope. Bukowski lays out the process by which a true writer emerges, and Moore concedes that there is a "place for the genuine” within the often-overdone poetry milieu.

Americaby Allen Ginsberg (1956)

Allen Ginsberg’s "America” is another example of an epistolatory poem. While Charles Bukowski’s poem replies to a question about writing, Ginsberg addresses his letter-poem to the United States of America. Like Bukowski, Ginsberg espouses a peevish tone. "I don’t feel good don’t bother me,” Ginsberg tells America. Ginsberg touches on a range of issues from politics to drugs to religion. When Ginsberg mentions poetry, he articulates ideas that relate to Bukowski’s poem. Ginsberg declares, "I won’t write my poem till I’m in my right mind.” As with Bukowski, Ginsberg positions the creation of poetry as a personal matter. Like Bukowski's true writer, Ginsberg separates himself from the rest of society. "Everybody’s serious but me,” exclaims Ginsberg. While Bukowski didn’t always have pleasant things to say about Ginsberg, he recognized Ginsberg’s influence on late-20th century American poetry. Both Bukowski and Ginsberg believed skillful writing was visceral and uncensored.

to the whore who took my poems”by Charles Bukowski (1974)

This poem is another example of Charles Bukowski’s caustic voice and his inclination toward the epistolatory poem. Here, Bukowski addresses his poem to a woman who stole 12 of his poems. The importance of these poems relates to the principles in “so you want to be a writer?” For the real writer, nothing is more important than writing. In “to the whore took my poems,” Bukowski demonstrates the prominence of poetry when he says he would have preferred if the woman took his money or even his left arm. This poem expands on the religious allusions in “so you want to be a writer?” and takes additional shots at the writers of his time. Quoting god, Bukowski writes, “I see where I have made plenty of poets / but not so very much / poetry.”

Further Literary Resources

The White Boy Shuffle by Paul Beatty (1996)

Paul Beatty’s debut novel details the life of a famous Black poet named Gunnar Kaufman. Through Kaufman, Beatty satirizes the predominately white literary landscape in America. Similar to the true writer of Charles Bukowski’s poem, Kaufman finds himself at odds with his milieu. This character allows Beatty to lampoon the idea of literary success and to make fun of a range of Western literary figures, including William Shakespeare and Sylvia Plath.

POEMLAND by Chelsey Minnis (2006)

This collection by Chelsey Minnis reads more like a compendium of one-liners or a selection of tweets. As with Bukowski, Minnis creates a form that suits her aesthetic; Minnis portrays writing as painful and bewildering. "If you want to be a poem-writer then I don’t know why,” says Minnis. "It hurts like a puff sleeve dress on a child prostitute.” Minnis formulates a visceral, provocative definition of poetry. She compares poems to "semen stains on your earmuffs.” Minnis and Bukowski each approach writing with a fair amount of flippancy and acerbity.

On Writing by Charles Bukowski (2015)

One of the many posthumous collections of Charles Bukowski’s work, On Writing assembles letters from Bukowski that specifically address his thoughts on writing. The book expands on the ideas that Bukowski articulates in "so you want to be a writer?” He takes umbrage against poets who too heavily lean on form. He compares reading these technical poets to "chewing cardboard.” He reasserts his belief that skillful writing derives from tumultuous, abstract forces, like "pain and madness and truth.” In one letter, Bukowski admits he is not the best writer in the world; yet, he keeps writing because all of the other writers are "so bad.”

Listen to the Poem

In a deep voice punctuated with an Irish accent, Tom O’Bedlam provides a slow and patient reading of Charles Bukowski’s poem.

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